Oil On Canvas, Real Flavor of Old Masters

All DOLCI, Carlo 's Paintings
The Painting Names Are Sorted From A to Z

ID Image  Painting (From A to Z)       Details 
6414  
Magdalene df, DOLCI, Carlo
  		 Magdalene df   1660-70 Oil on canvas, 73 x 56 cm Galleria Palatina (Palazzo Pitti), Florence
6410  
Portrait of Ainolfo de Bardi, DOLCI, Carlo
  		 Portrait of Ainolfo de Bardi   1632 Oil on canvas, 149,5 x 119 cm Galleria Palatina (Palazzo Pitti), Florence
6415  
Salome with the Head of St John the Baptist dfg, DOLCI, Carlo
  		 Salome with the Head of St John the Baptist dfg   1665-70 Oil on canvas, 122,6 x 96,5 cm Royal Collection, Windsor
6416  
Self-Portrait dgd, DOLCI, Carlo
  		 Self-Portrait dgd   1674 Oil on canvas Galleria degli Uffizi, Florence
6411  
St Catherine Reading a Book sd, DOLCI, Carlo
  		 St Catherine Reading a Book sd   Oil on canvas Residenzgalerie, Salzburg
6412  
St Cecilia at the Organ dfg, DOLCI, Carlo
  		 St Cecilia at the Organ dfg   1671 Oil on canvas, 96,5 x 81 cm Gemäldegalerie, Dresden
6413  
The Guardian Angel dfg, DOLCI, Carlo
  		 The Guardian Angel dfg   1675 Oil on canvas Museum of the Cathedral, Prato
DOLCI, Carlo
Italian Baroque Era Painter, 1616-ca.1686 was an Italian painter of the Baroque period, active mainly in Florence, known for highly finished religious pictures, often repeated in many versions. He was born in Florence, on his mother's side the grandson of a painter. Although he was precocious and apprenticed at a young age to Jacopo Vignali, Dolci was not prolific. "He would take weeks over a single foot", according to his biographer Baldinucci.His painstaking technique made him unsuited for large-scale fresco painting. He painted chiefly sacred subjects, and his works are generally small in scale, although he made a few life-size pictures. He often repeated the same composition in several versions, and his daughter, Agnese Dolci, also made excellent copies of his works. Dolci was known for his piety. It is said that every year during Passion Week he painted a half-figure of the Saviour wearing the Crown of Thorns. In 1682, when he saw Giordano,



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